Claire Goncalves was born in 1986 in Clermont-ferrand, France.
Claire Goncalves lives and works in Clermont-ferrand.
Mi-temps (Half time), curated by Louma Morelière, La Cabine, Clermont-Ferrand
Batatas, Sculpture Pavilion , the Faculty of Fine Arts of Porto (FBAUP), Porto, Portugal
Comme un chevreuil (Like a roe), Les Ateliers, Clermont-Fd Workshop en lycée pro (Workshop in professional high-school), Le Grand Atelier, ESACM, Clermont-Fd
Première (first), Contemporary Art Center Le Garage, Brive Le quatrième mur (The fourth wall), curated by Guillaume Constantin, Le Grand Atelier, ESACM, Clermont-Fd RAL 6024, Zone ouverte, Clermont-Ferrand Tejacoular/Tesekkurl, Le Grand Atelier, ESACM, Clermont-Fd
Em Un Ein, Galeria da Cozina, Porto, Portugal
Tarama sur le palier (Tarama on the landing), hospital Parking, Clermont-Fd
Marion Robin was born in 1981 in Clermont-ferrand, France.
Marion Robin lives and works in Clermont-ferrand.
art in the chapels, curated by karim ghaddab, PONTIVY CFD PN 260, Sheet Metal, Clermont-ferrand
1/1, www.chez-robert.com 2011 coffee in bed, Andrea Weisbrod & Jens Emil Sennewald”s home, Paris Marion Robin to pont-Aven, International Center for contemporary art, pont aven pointillist, the great workshop, school of Art, Clermont ferrand
Pollen, monflanquin may of photography, gajac, Gironde Museum, Villeneuve-Sur-lot
Cabin #1, Saint-Jean-Port-Joli, Quebec
GROUP EXHIBITIONS (selection)
paintings of architecture, the garage, brive
Friday, December 4, workshop sumo, Lyon
Retrospective exhibition at-Robert, Frac Franche-Comté, besançon
the credits from the beginning, the greenhouse, Saint-étienne
Magic numbers, curated by artists in residence and Pierre Labat, palace of Paris, gunma, Japan
Borders, curated by Michel Gaillot, the trade union potential, Strasbourg
The left over method, curated by Marion Daniel, Radiator Gallery, New York
Systematic expatriation, curated by Marion Daniel, Jean Fournier Gallery Paris
Works of which take the whole place, Bertrand Baraudou Gallery, Paris
Marion robin makes some frottage in different places to keep in memory birds and flowers from tehran mural ceramics.
She also proposes a progressive apparition in situ of two colors often present in the town on palisade of construction sites.